That was the slogan forone of Apples most successful ad campaigns.
For the most part, this structure works, writes EWs Chris Nashawaty, in hisB review.
Each chapter symbolizes a critical crossroads in Jobs career.
Fassbender never leaves the frame, and Winslet has described his acting challenge as Hamlettimes two.
Apple and some Jobs loyalists especially his wife, Laurene have expressed their disapproval of the film.
(Jobs widow recentlycalled it fiction.)
The filmmakers concede that theyve stretched the facts to get at some greater truth.
For more of Nashawatys review and verdict of other critics from around the country, scroll below.
But it works better on a sitcom than in a biopic that hassomeresponsibility of capturing reality.
Mostly, its a shining example of the unbearable Aaron Sorkin-ness of being.
What its not about, as far as I can tell, is any actual person named Steve Jobs.
Not during the crackling 122 minutes of the movie itself, but afterward, probably.
The camera trails the characters in the manner ofBirdman, and director Danny Boyle keeps the traffic flowing expertly.
Hes the deftest superficial director alive.
