But not the wails of a guitar these are the wails of a woman.
Way to know what to say, as-of-yet-unnamed woman with pierced nipples.
Well see you again soon.

Credit: Katie Yu/Showtime
Not to be distracted by the naked woman strutting around the room, Bill and Shelli start talking business.
(Even though, obviously, they once were.)
Thats when we see Kelly Ann (Imogen Poots), another crew member, in action.
For some reason, she finds it necessary to skateboard everywhere she goes while backstage.
She skates past columns, stage hands, and dollies, and ducks under light fixtures.
throughout this self-imposed obstacle course.
But no matter Kelly Ann skateboards wherever she goes.
Shes also on the outs after tonight, Kelly Ann is leaving the crew to go to film school.
His big task for the evening?
Do not let a woman named Natalie Shin backstage underanycircumstance.
Guess whos coming to NOLA?
Kelly Ann is particularly emo right now.
Maybe I could change the world ha!
she says, not quite convinced.
I dont hear the music anymore, she laments.
Kelly Ann feels underappreciated and uninspired the band hasnt even changed their set since the last tour!
She seduces another crew member with the sole purpose of stealing his laminate (how goodisthis band?!)
and is officially IN.
But the harmonies soon fade.
He proceeds to inform Phil that hes under investigation and suggests he leave the band.
Phil, hot-headed and out-of-control, grabs his gun in protest but fear not!
Puna puts his security skills to good use and saves the day.
High on her monologue, Kelly Ann gears up to leave the band for good.
Kelly Ann says adios (really) and skateboards away (because, obviously).
But alas, the skateboard!
They tell her they decided to change up their set list.
Theyre going to play Jeanine, a song Kelly Ann has never heard them play.
Youll always be family, the mysterious band member tells her.
Bill and Shelli welcome Kelly Ann back, but shes definitely lost her bunk on the tour bus.
Cut to Bill and Shelli side stage, watching Staton-House play.
Opening with Jeanine, Bill says, grazing her hand.
Something is in the air.