And, in turn, why not make her the hero of a female empowerment coming-of-age story?
And the great what-might-have-been of superhero cinema was Whedon’sWonder Woman, which he developed during the mid-2000s.
And quite frankly, all that black leather was making people nervous.''

Diyah Pera; Richard Cartwright/WB
ButFireflyalso explored notions of frontier civilization and the individual-versus-society in ways that the originalStar Trekonly glanced at.
Character Death
In some ways, Whedon’s penchant for main-character-fatalities has been oversold.
Unlike, say, George R. R. Martin, he doesn’t generally kill off lead protagonists.

Zade Rosenthal
But, if you’re a beloved supporting player, watch out.
Whedon offed a whole assortment of B-players fromBuffy(farewell, Tara!
So long, Buffy’s mom!).

Diyah Pera
HardcoreFireflyfans had to suffer through two big deaths inSerenity.
(As with Angel and Buffy before him, Coulson is staging a comeback onS.H.I.E.L.D.)
You were made to be ruled.''

‘‘What do you want me to say?’’
‘‘Lie to me.’’
No one ever dies, and everybody lives happily ever after.

Zade Rosenthal
Human life is a mess, but it’s a mess worth fighting for.
Ain’t about you, Jayne.
It’s about what they need.

After the heroes leave, Fury’s subordinate notes that those cards were actually in Coulson’s locker.
Fury: ‘‘They needed a push in the right direction.’’
Dialogue in Whedon projects crackles with screwball flair.

Marvel
Whenever one character asks a serious question, another character almost always responds with a joke.
Structural Silliness
That sense of humor extends deeper than witty dialogue.
Whedon’s apparently silly flights of fancy might work because, bizarrely, he takes the silliness seriously.

As he said ata panel at Comic-Con 2013, '' The appeal ofThe Avengersis that it doesn’t work.
Now pray for a muppet interlude inAvengers: Age of Ultron.
Horrible’s Sing-Along Blogtwists the idea by imagining a wannabe supervillain competing with the popular Captain Hammer.

Kurt Iswarienko/FOX
The Whedon Repertory
Just got cast in a Joss Whedon project?
Good news: Now, you’ll be cast ineveryJoss Whedon project.
The Whedonography is filled with repeat appearances by familiar faces.

Eliza Dushku’s role onBuffyled to the lead onDollhouse.
Felicia Day appeared towards the end ofBuffy, sang inDr.
Horrible, and featured prominently in the gonzo flashforward episodes ofDollhouse.

Marvel
What makes Whedon’s collaborations interesting is that he often casts his actors in radically different roles.
Horribleand the comic relief inMuch Ado.
